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Kollaps

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description Kollaps Overview

Kollaps is the first official full-length album by the German experimental group Einstürzende Neubauten, released in 1981. The record combines shouted vocals, tape manipulation, electronics, and severe rhythms produced with metal objects and unconventional percussion rather than a conventional rock setup. Its deliberately abrasive sound and use of industrial materials made it an early document of the West Berlin group's approach and an influential release for listeners of industrial and experimental post-punk music.

help Kollaps FAQ

What kind of instruments does Einstürzende Neubauten use on "Kollaps"?

"Kollaps" is built from harsh industrial noise produced with custom-built percussion, metal sheets, drills, and found objects sourced from construction sites and scrap yards, alongside electronics and conventional instruments used unconventionally. Frontman Blixa Bargeld's vocals range from whispered to violently screamed over this metallic sonic landscape.

When was "Kollaps" released?

"Kollaps" was released in 1981 as Einstürzende Neubauten's first official full-length album. It emerged from the West Berlin underground music scene of the early 1980s and quickly became a touchstone of industrial and experimental music.

How does "Kollaps" compare to later Einstürzende Neubauten albums?

"Kollaps" is far harsher and more abrasive than the band's later work, which moved toward greater structure and even melody on albums like "Halber Mensch" (1985) and "Haus der Lüge" (1989). Many listeners consider "Kollaps" the purest expression of Einstürzende Neubauten's original industrial aesthetic before they incorporated rhythm, melody, and more conventional composition.

Who are the key members of Einstürzende Neubauten featured on "Kollaps"?

The core lineup on "Kollaps" included Blixa Bargeld on vocals and guitar, N.U. Unruh on percussion and metal, and Alexander Hacke (then Alexander von Borsig) on various instruments. This founding nucleus went on to anchor the band through decades of subsequent recordings.

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