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Late Roman ivory diptych (c. 400 AD) made for the pagan aristocratic Symmachi and Nicomachi families, among the finest surviving examples of late antique ivory carving, now split between London and Paris.
Why this score
Among the finest late antique ivories, major survival and art-historical touchstone; consistently praised for carving and rarity.
ui.x_scoring_methodology
The Vienna Convention on Consular Relations is a multilateral treaty governing relationships between states and their consulates. Adopted in 1963, it establishes clear rules for consular missions, defining privileges and immunities afforded to foreign diplomats working abroad. This document is essen...
The Diptych of Constantius III is a Roman consular ivory diptych dating to 417 AD. It was commissioned to commemorate the consulship of Constantius III, a prominent military general under Emperor Honorius who briefly served as co-emperor of the Western Roman Empire in 421 AD. The carved panels depic...
Why this score
Historically important imperial-adjacent consular ivory; strong specialist reputation, limited wider recognition.
ui.x_scoring_methodology
The Diptych of Astyrius is a late Roman consular ivory diptych created around 449 AD. It was commissioned to commemorate the consulship of the Western Roman consul Flavius Astyrius. The work consists of two carved panels featuring iconography typical of late antiquity, intended to function as a luxu...
Why this score
Important consular ivory example with historical value; less celebrated artistically than the strongest late antique diptychs.
ui.x_scoring_methodology
The Diptych of Philoxenus is a late Roman consular ivory carving created in 525 AD to commemorate the consulship of Philoxenus. It consists of two hinged panels intricately carved with religious and secular imagery, including a cross and scenes of triumphal power. This artifact represents one of the...
Why this score
Late survival of consular ivory tradition gives importance; valued more for rarity and chronology than broad aesthetic fame.
ui.x_scoring_methodology
The Diptych of Stilicho is a carved ivory diptych made around AD 400 and associated with the late Roman general Stilicho. Its panels depict a high-ranking military man, an elaborately dressed woman, and a boy, commonly identified as Stilicho, his wife Serena, and their son Eucherius. Preserved in Mo...
The Diptych of Boethius is a late 5th-century consular ivory diptych originating from the Western Roman Empire. It was created to commemorate the consulship of Boethius in 487 AD, serving as an official administrative announcement distributed to allies and the empire. Carved across two hinged panels...
The Diptych of Aspar is a 434 AD consular diptych from the Eastern Roman Empire, notable for depicting the magister militum Flavius Aspar in full attire.
The Diptych of Areobindus is a Byzantine consular ivory diptych made in 506 to commemorate the consulship of Flavius Areobindus Dagalaiphus Areobindus at Constantinople. Its carved panels depict the consul presiding over public games, an established subject for ceremonial objects distributed by newl...
The Diptych of Probus is a late Roman carved ivory diptych associated with the consul Anicius Petronius Probus and dated to 406. Its surviving panels depict the emperor Honorius in military dress, holding imperial attributes, while inscriptions identify Probus and express loyalty to the emperor. Pre...
The Diptych of Clementinus is a Byzantine consular diptych carved from ivory in the year 513 AD. Originating from Constantinople, it was created to commemorate Clementinus, who served as the consul for the year. The surviving panel depicts the consul seated beneath a baldachin, presiding over the ga...
The Diptych of Orestes is a 530 AD Byzantine consular ivory panel, notable for depicting the consul Orestes and serving as a historical record of the era.
The Diptych of the Lampadii is a late Roman carved ivory artifact originating from Late Antiquity, typically dated to the late fourth or early fifth century. It consists of two hinged panels featuring intricate relief sculptures. The diptych is noted for its classical portraiture and serves as an ex...
The Diptych of Felix is a late Roman consular diptych made of ivory and dated to around AD 428. Its two hinged panels depict Felix, the Roman consul commemorated by the object, in the visual language used for official ivory diptychs of late antiquity. Such diptychs functioned as prestigious commemor...
Frequently Asked Questions
What leads the Consular ranking?
Symmachi and Nicomachi Diptych currently leads the Consular results with a displayed score of 9.10/10. This is an editorial ranking result for the items included on this page, not a universal verdict for every use case.
How should I read the score and confidence label?
The 0 to 10 score is Lunoo's ranking judgment. Strong confidence means 10 or more recorded comparison checks, some means 2 to 9, and provisional means fewer than 2.
What supports this ranking?
Lunoo combines category fit, feature coverage, pricing and value signals, public reception, recency, and peer comparisons. Public source links support factual item details when available, but they are not required for membership in this 14-item ranking.
Can I compare the leading results for Consular?
Yes. The comparison links put adjacent leaders side by side so you can inspect differences that one ranking score cannot capture.
