Top Results for Post Impressionist

Van Gogh’s “Sunflowers” is an oil painting created in 1888 during his time in Arles. This still-life depicts a vase of sunflowers and is notable for its vibrant colors and expressive brushstrokes characteristic of post-impressionist art. The National Gallery possesses one of the most recognized vers...

Starry Night Over the Rhone is an 1888 oil painting by Vincent van Gogh, made while he was living in Arles in southern France. It depicts the Rhone at night, with stars and gaslights reflected as long bands of color across the water while two figures stand in the foreground. The work combines direct...

The Card Players is a group of five oil paintings made by Paul Cezanne during the early 1890s. The compositions show Provençal working men absorbed in a card game, with versions differing in size, number of figures, and surrounding details. Cezanne organized the bodies, table, and interior through s...

Created by French Post-Impressionist artist Paul Gauguin during his first stay in Tahiti, Nave Nave Fenua (Delightful Land) is a woodcut recognized for its distinct Primitivist style. The print features stylized forms and bold contours, depicting Tahitian figures alongside symbolic elements that ref...

Paul Gauguin’s 1894 woodcut, Nave Nave Fenua, portrays a Tahitian woman within a vibrant tropical landscape. Created following his initial exploration of French Polynesia, the artwork exemplifies post-impressionist style and figurative representation. It is notable for its depiction of Polynesian cu...

Created in the 1890s, *Mahna No Varua Ino* (The Devil Speaks) is a woodcut print by the French post-impressionist artist Paul Gauguin. The work was produced during his first stay in Tahiti as part of his *Noa Noa* portfolio, which aimed to document the island's culture. It features a horizontal comp...

Paul Gauguin’s Nave Nave Fenua is a 1894 woodcut depicting life in Tahiti. The artwork showcases Gauguin’s post-impressionist style through simplified forms and vibrant colors reflecting his time spent in the South Pacific. It's notable for its exploration of Polynesian culture and its distinctive v...

Te Faruru (Here We Make Love) is a woodcut by the French Post-Impressionist artist Paul Gauguin, created in the 1890s following his first trip to Tahiti. The print was produced as part of his Noa Noa project, a series of prints and a written journal meant to provide a mythologized account of his exp...

Gauguin’s “Mahna No Varua Ino” is a woodcut depicting a powerful, unsettling figure within a Tahitian scene. Created between 1893 and 1894, it exemplifies his exploration of Polynesian beliefs surrounding the supernatural. The artwork reflects Gauguin's interest in primal spirituality and darker asp...

Auti Te Pape (Women at the River) is a woodcut created by French Post-Impressionist artist Paul Gauguin in 1894. The print depicts Tahitian women by a river, reflecting his observations during his first journey to the Pacific. It features the simplified forms and bold contours characteristic of his...

Gauguin’s “Te Atua – The Gods” (1894) is a woodcut depicting stylized representations of Polynesian deities. Created during his time in Tahiti, the artwork explores the intersection of Christian beliefs and traditional Tahitian religious practices. It showcases Gauguin's innovative approach to synth...

Gauguin’s “Te Faruru – Here We Make Love” is a woodcut from 1893-94. The artwork portrays a Tahitian couple in a private moment, reflecting Gauguin's time spent in Tahiti and his desire to capture Polynesian culture. It belongs to the Noa Noa suite, intended for Parisian viewers. This piece is notab...

Noa Noa (Fragrant Scent) is a late 19th-century woodcut print by French Post-Impressionist artist Paul Gauguin. The artwork is closely linked to the illustrated travel journal Gauguin co-authored with Charles Morice, documenting his first extended stay in Tahiti. Created to introduce European audien...

Paul Gauguin’s Noa Noa: Te Po woodcut depicts a Tahitian scene evoking the darkness of night. Created between 1893 and 1894, this Post-Impressionist work exemplifies Gauguin's interest in Polynesian culture and his exploration of primal themes through simplified forms. It is valued for its stylistic...

Henri Rivière's Breton Landscapes is a series of color woodcuts depicting the coasts, villages, fields, and inhabitants of Brittany in northwestern France. Created in the 1890s, the prints combine direct observation of Breton scenery with flattened color, asymmetrical composition, and other devices...

Auti Te Pape, commonly translated as Women at the River, is a woodcut made by Paul Gauguin in 1893-1894 for the Noa Noa suite. The image shows Tahitian figures beside water and reflects Gauguin's effort to translate subjects from his first stay in French Polynesia into stark, deliberately simplified...

"Maruru" is an 1894 woodcut by the French Post-Impressionist artist Paul Gauguin, created following his first trip to Tahiti. The title translates to "offering" or "thanks" in the Tahitian language, and the artwork depicts a seated figure alongside a dog, rendered in the bold, flat forms characteris...

Maruru (Thank You) is a woodcut print by French Post-Impressionist artist Paul Gauguin, created during his first stay in Tahiti in the 1890s. The work belongs to the Noa Noa suite, a series of experimental woodcuts that Gauguin produced to accompany his illustrated travel narrative of the same name....

Change of Residence is an 1899 woodcut by the French Post-Impressionist artist Paul Gauguin, created during his second stay in Tahiti. Gauguin produced a series of experimental woodcuts during this period, including works for his short-lived satirical periodical Le Sourire. His woodcut technique inv...