description Heroes of the Fourth Turning Overview
Heroes of the Fourth Turning is a play by American dramatist Will Arbery, first produced in 2019. It takes place during a late-night gathering of young conservative Catholics in rural Wyoming after the inauguration of a new president at their former college. The characters’ debates over faith, abortion, politics, suffering, and personal responsibility expose divisions within American Catholic conservatism rather than presenting it as a single coherent ideology.
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Where is Heroes of the Fourth Turning set?
The play takes place in the backyard of a house in rural Wyoming, near a conservative Catholic college modeled on Wyoming Catholic College, which playwright Will Arbery's sisters attended. The gathering occurs on the night of a new president's inauguration at the college. The remote, wind-swept setting amplifies the characters' sense of ideological isolation and intensity.
What is the 'fourth turning' referenced in the title?
The title alludes to the Strauss–Howe generational theory, which posits recurring cyclical 'turnings' in history, with the fourth being a period of crisis and upheaval. The characters, all young conservative intellectuals, debate whether their generation is entering such a moment. The concept frames their anxieties about the future of conservatism and Catholicism in America.
Did Heroes of the Fourth Turning premiere Off-Broadway?
Yes, the play premiered in 2019 at the Vineyard Theatre in New York, produced by the Vineyard in association with Page 73. The production was directed by Danya Taymor and received critical acclaim, including being named a finalist for the 2020 Pulitzer Prize for Drama. It was widely discussed for its unusually empathetic portrayal of young conservative intellectuals.
What political views do the characters in Heroes of the Fourth Turning hold?
The characters are young conservative Catholics who grapple with factions ranging from traditionalist Catholicism to alt-right-adjacent nationalism to compassionate conservatism. Their debates frequently reference Steve Bannon, who popularized the Strauss–Howe 'fourth turning' framework. The play explores deep fractures within the American conservative movement through their interpersonal conflicts.
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