Top Results for Hiroshige
No tags available
Rankings use category fit, feature coverage, pricing signals, public reception, and recency. Affiliate relationships do not affect scores.
Compare the leading options
See the closest-ranked results side by side before choosing.
Hiroshige’s “Plum Park in Kameido” (1857) is a woodcut from his landmark series, *One Hundred Views of Edo*. The print showcases vibrant plum blossoms surrounding Kameido Tenjin Shrine, a significant site during the Edo period. Its detailed depiction of botanical subjects and urban landscape influen...
Why this score
Canonical Hiroshige Edo view, radical cropping and Van Gogh connection, very high consensus status.
ui.x_scoring_methodologyHiroshige’s “Sudden Shower over Shin-Ohashi Bridge” is a woodcut from his renowned 1857 series, *One Hundred Views of Edo*. The print depicts a moment of everyday life during the Edo period—pedestrians navigating a sudden rainstorm across the Shin-Ohashi Bridge spanning the Sumida River. Hiroshige’s...
Why this score
Hiroshige masterpiece, famously admired by Van Gogh, iconic rain design and enduring museum acclaim.
ui.x_scoring_methodologyPlum Estate, Kameido is an ukiyo-e woodblock print by Utagawa Hiroshige, issued in 1857 as number 30 in the series One Hundred Famous Views of Edo. The composition uses a close view of a flowering plum tree, with a large curving branch and trunk crossing the foreground while people and the surroundi...
Why this score
Famous close-up composition admired for radical framing, seasonal color, and major influence on European modernism.
ui.x_scoring_methodologyCreated by Utagawa Hiroshige in 1857 for the series One Hundred Famous Views of Edo, this ukiyo-e print depicts a sudden rainstorm over the Shin-Ohashi Bridge and the Atake district. Figures on the bridge hurry beneath umbrellas or carry coverings as wind-driven rain cuts across the scene. The compo...
Why this score
Internationally canonical masterpiece; celebrated rain effects, daring diagonals, cropping, and documented influence on Van Gogh.
ui.x_scoring_methodologyShono: Sudden Rain is a design by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, a series depicting places along the major route between Edo and Kyoto. The image shows travelers and porters struggling through a heavy downpour near the station of Shono, with slanting rain and bent fi...
Why this score
Canonical weather masterpiece acclaimed for slashing rain, urgent diagonals, dramatic movement, and profound influence.
ui.x_scoring_methodologyHiroshige’s “Night Snow” (Kambara, 1833) is a woodcut from his series depicting the Tokaido road. The print captures a serene winter landscape at Kambara station, notable for its evocative depiction of snowfall during the Edo period. It’s admired within ukiyo-e art and appreciated by viewers interes...
Why this score
Among Hiroshige's most admired snow scenes, quiet atmosphere and design give it classic status.
ui.x_scoring_methodologyHiroshige’s “Driving Rain” (1833) is a woodcut from his series depicting scenes along the Tokaido road. The print captures a dramatic moment at Shono station during a heavy rainstorm, showcasing travelers seeking shelter. It's notable for its detailed depiction of Edo-period life and Hiroshige’s mas...
Why this score
One of Hiroshige's supreme Tokaido images, celebrated for rain, movement, and compositional economy.
ui.x_scoring_methodologyMishima: Dawn is an ukiyo-e landscape print by Utagawa Hiroshige from the 53 Stations of the Tokaido, published in the 1830s. It depicts travelers setting out from Mishima in the early morning, with figures and a packhorse moving through a cool, mist-filled scene. The composition uses the station ga...
Why this score
Widely acclaimed for mist, silhouettes, tonal restraint, and one of Hiroshige's most poetic dawn atmospheres.
ui.x_scoring_methodologyNihonbashi: Morning View is an ukiyo-e woodblock print by Utagawa Hiroshige, published in 1833 as the opening image of the 53 Stations of the Tokaido. It shows the Nihonbashi bridge in Edo at the beginning of the road, with travelers, porters, and early-morning activity moving through the foreground...
Why this score
Celebrated opening to the Tokaido series; bustling atmosphere, historical importance, and masterful dawn light.
ui.x_scoring_methodologyYui: Satta Peak is an ukiyo-e landscape print by Utagawa Hiroshige from the 53 Stations of the Tokaido, issued in the 1830s. It depicts the steep coastal route near Yui, where the elevated viewpoint looks across Suruga Bay toward Mount Fuji. The composition emphasizes the contrast between the narrow...
Why this score
Spectacular elevated coast, dramatic cliffs, and distant Fuji establish a major landscape achievement.
ui.x_scoring_methodologyHara: View of Mount Fuji is a color woodblock print by Utagawa Hiroshige from the Fifty-three Stations of the Tokaido Road, the series depicting stops along the route between Edo and Kyoto. The design was published in the 1830s and shows the Hara post station in present-day Shizuoka Prefecture, wher...
Why this score
Towering Fuji and deliberately cropped summit create memorable monumentality and sophisticated visual wit.
ui.x_scoring_methodologyMoon at Matsushima is a color woodblock print by Utagawa Hiroshige, issued in 1853 as part of his series Famous Views of the Sixty-odd Provinces. It depicts Matsushima Bay in northeastern Japan, where pine-covered islands and rocky outcrops appear beneath a bright moon. The print belongs to the ukiy...
Why this score
Lyrical moonlit seascape with elegant island silhouettes; highly regarded, though attribution and version titles vary.
ui.x_scoring_methodologyThis woodcut by Utagawa Hiroshige depicts the Kinryuzan Temple within Tokyo’s Asakusa district as of 1856. It is a key work from his “One Hundred Views of Edo” series, offering a detailed representation of Japanese architecture and religious practice during the Edo period. The image captures a signi...
Why this score
Major One Hundred Famous Views sheet, strong seasonal atmosphere, less famous than the rain and plum works.
ui.x_scoring_methodologyTsuchiyama: Spring Rain is a landscape print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, the series he designed in the 1830s. It represents the Tsuchiyama station on the road between Edo and Kyoto, with travelers and a long procession moving through driving rain near the Tamur...
Why this score
Atmospheric spring rain, turbulent water, and rhythmic procession make a powerful late-series highlight.
ui.x_scoring_methodologyHamamatsu: Winter Scene is a color woodblock print by Utagawa Hiroshige from the Fifty-three Stations of the Tokaido, the landscape series based on the road between Edo and Kyoto. The design dates to about 1833 to 1834 and represents Hamamatsu, the route's twenty-ninth station. Travelers warm themse...
Why this score
Stark winter atmosphere, smoke, and carefully spaced figures make this one of the more poetic middle stations.
ui.x_scoring_methodologyNihonbashi: Morning Scene is a woodblock print by Utagawa Hiroshige from One Hundred Famous Views of Edo, a series produced in the 1850s. It depicts the Nihonbashi bridge and its surrounding urban activity at the start of the day, using the bridge as both a recognizable Edo landmark and a foreground...
Why this score
Major Hiroshige cityscape praised for bustling observation, atmospheric depth, and historical resonance within a canonical series.
ui.x_scoring_methodologyKanagawa: View of the Coast is a color woodblock print by Utagawa Hiroshige associated with the Fifty-three Stations of the Tokaido, the series depicting travel along Japan's eastern coastal road. Made in the 1830s, it presents the Kanagawa station from above, with the coast and Edo Bay beyond the r...
Why this score
Dynamic coastal perspective and steep diagonal architecture make this a distinctive, highly regarded series entry.
ui.x_scoring_methodologyHiroshige’s “Mishima: Morning Mist” (1833) is a woodcut from his series depicting the Tokaido Road. The print captures the scene at Mishima station as it appears shrouded in early morning fog. This work exemplifies Hiroshige's skill in representing atmospheric effects and detailed landscape composit...
Why this score
Highly regarded Tokaido sheet, admired for mist and restraint, less iconic than Shono or Kambara.
ui.x_scoring_methodologyKyoto: The Great Bridge is a nineteenth-century Japanese ukiyo-e landscape print associated with Utagawa Hiroshige's views of the Tokaido road. It depicts travelers on or near Sanjo Bridge in Kyoto, the bridge traditionally treated as the road's western terminus. The composition combines a busy cros...
Why this score
Celebrated journey conclusion with panoramic bridge, city approach, and strong historical resonance.
ui.x_scoring_methodologyKuwana: Shichiri Crossing is a Japanese ukiyo-e landscape print from Utagawa Hiroshige's views of the fifty-three stations of the Tokaido. It represents the Shichiri no Watashi, a water crossing linking the Tokaido station at Kuwana with the route toward Nagoya. Boats, waves, passengers, and the bro...
Why this score
Dynamic crossing boats, strong diagonals, and maritime atmosphere make this a notably accomplished station design.
ui.x_scoring_methodologyKawasaki: Ferry Boat is a color woodblock print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, a series depicting places along the road between Edo and Kyoto. The image presents travelers crossing the Tama River by ferry near Kawasaki, the second station on the route. Hiroshige c...
Why this score
Elegant ferry composition with fine atmospheric depth; a consistently admired Tokaido design.
ui.x_scoring_methodologyOkabe: Utsu Mountain is a color woodblock print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, his series on sites along the route between Edo and Kyoto. It depicts travelers moving through the steep terrain of Utsu Mountain near Okabe, with a narrow path cut into rocky slopes. T...
Why this score
Dramatic narrow pass, rhythmic rock forms, and compressed travelers create a memorable landscape design.
ui.x_scoring_methodologyOkazaki: Yahagi Bridge is a color woodblock print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, a series devoted to locations on the historic road between Edo and Kyoto. The long Yahagi Bridge spans the foreground, while Okazaki Castle is shown in the distance. The print uses th...
Why this score
Monumental bridge and castle vista create impressive scale and one of the series' strongest architectural statements.
ui.x_scoring_methodologyOdawara: Sakawa River is a color woodblock print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, his series on the historic route between Edo and Kyoto. The scene shows travelers being carried across the Sakawa River at Odawara, including passengers seated in palanquins borne by p...
Why this score
Impressive river-crossing panorama combining human activity and landscape scale with considerable narrative appeal.
ui.x_scoring_methodologyYoshiwara: Left-hand Fuji is an ukiyo-e landscape by Utagawa Hiroshige from his series The Fifty-three Stations of the Tokaido, published in the 1830s. It depicts travelers moving along the road at Yoshiwara, a post station on the Tokaido route, with Mount Fuji appearing unusually to the left of the...
Why this score
Distinctive reversed Fuji viewpoint and curving road make an engaging, well-known series composition.
ui.x_scoring_methodologyMiya: Festival is a Japanese ukiyo-e print from Utagawa Hiroshige's series depicting the stations of the Tokaido road. The scene is set at Miya, a major station associated with Atsuta Shrine in present-day Nagoya. It shows the Uma-oi, a horse-chasing event held during a Shinto festival on May 5 and...
Why this score
Energetic festival procession and bold movement create a lively, culturally rich Tokaido entry.
ui.x_scoring_methodologyMariko: Famous Teahouse is an ukiyo-e print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, a series published in the 1830s. It shows the Mariko post station on the Tokaido road and focuses on a well-known roadside teahouse serving travelers. The scene connects a recognizable refr...
Why this score
Beloved intimate teahouse scene with warmth, humor, and strong cultural detail.
ui.x_scoring_methodologyMaisaka: Lake Hamana is an ukiyo-e print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, created in the 1830s. It depicts Maisaka, a station on the Tokaido route, at the crossing of Lake Hamana, where travelers used a ferry or boat to continue their journey. The composition presen...
Why this score
Spacious lake view and maritime detail offer calm visual breadth, with solid but not exceptional renown.
ui.x_scoring_methodologyHodogaya: Shinmachi Bridge is a color woodblock print by Utagawa Hiroshige from the series The Fifty-three Stations of the Tokaido. Produced in the 1830s, it depicts the Shinmachi Bridge at Hodogaya, an Edo-period station on the road between Edo and Kyoto. Pine trees frame a distant view of Mount Fu...
Why this score
Well-balanced bridge scene with effective Fuji framing, though less celebrated than the series' weather masterpieces.
ui.x_scoring_methodologyShimada: Suruga River is a color woodblock print by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, produced in the 1830s. The scene shows travelers and their baggage being carried through the shallow bed of the Oi River near Shimada, where crossing arrangements were used instead of...
Why this score
Broad riverbed and numerous travelers create impressive scale, balanced by comparatively diffuse focus.
ui.x_scoring_methodologyYou're in. We'll email you when new Hiroshige entries land.
Frequently Asked Questions
What leads the Hiroshige ranking?
Plum Park in Kameido (Hiroshige, 1857) currently leads the Hiroshige results with a displayed score of 9.20/10. This is an editorial ranking result for the items included on this page, not a universal verdict for every use case.
How should I read the score and confidence label?
The 0 to 10 score is Lunoo's ranking judgment. Strong confidence means 10 or more recorded comparison checks, some means 2 to 9, and provisional means fewer than 2.
What supports this ranking?
Lunoo combines category fit, feature coverage, pricing and value signals, public reception, recency, and peer comparisons. Public source links support factual item details when available, but they are not required for membership in this 43-item ranking.
Can I compare the leading results for Hiroshige?
Yes. The comparison links put adjacent leaders side by side so you can inspect differences that one ranking score cannot capture.