Top Results for Ukiyo E
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Under the Wave off Kanagawa is a woodblock print by Japanese artist Katsushika Hokusai, created around 1831 during the late Edo period. It is the most widely recognized image from his series Thirty-six Views of Mount Fuji. The artwork depicts a massive rogue wave threatening three fishing boats near...
Why this score
Universally canonical image with extraordinary recognition, compositional power, technical elegance, museum acclaim, and lasting global influence.
ui.x_scoring_methodologyFine Wind, Clear Morning, commonly called Red Fuji, is a multicolored woodblock print by Katsushika Hokusai. It belongs to Thirty-Six Views of Mount Fuji, a series published in the 1830s, and presents Mount Fuji beneath a clear sky with its summit illuminated in red. The print is associated with uki...
Why this score
Canonical Hokusai masterpiece with exceptional museum prominence, global recognition, compositional influence, and enduring critical acclaim.
ui.x_scoring_methodologySouth Wind, Clear Sky is a color woodblock print by Japanese artist Katsushika Hokusai, created around 1830–1832. It is part of the series Thirty-six Views of Mount Fuji and is also known by the title Red Fuji. The print depicts Mount Fuji under clear weather, with its slopes appearing red in the mo...
Why this score
Iconic Thirty-six Views design, celebrated for saturated color, monumental simplicity, and enduring recognition nearly matching the Great Wave.
ui.x_scoring_methodology'Kambara: Evening Snow' is a woodblock print by the Japanese artist Utagawa Hiroshige, published around 1833–34 as part of the series 'The Fifty-three Stations of the Tōkaidō.' The composition depicts a quiet village at night under heavy snowfall, with travelers moving through a subdued landscape. I...
Why this score
Canonical Tokaido masterpiece, universally praised for hushed atmosphere, daring tonal economy, and poetic treatment of snow.
ui.x_scoring_methodologyRainstorm Beneath the Summit is a woodblock print by the Japanese artist Katsushika Hokusai, created circa 1830 as part of his Thirty-Six Views of Mount Fuji series. The artwork distinguishes itself by framing Mount Fuji from the south, showing a bright, snow-capped peak illuminated by sunlight whil...
Why this score
Canonical Fuji print praised for dramatic weather, radical geometry, and visual force; consistently ranked among Hokusai's finest landscapes.
ui.x_scoring_methodology"Miyamoto Musashi Killing a Giant Whale" is an ukiyo-e color woodblock print triptych created by the Japanese artist Utagawa Kuniyoshi around 1847. The artwork depicts the legendary historical swordsman Miyamoto Musashi engaged in an oversized battle with a massive whale, utilizing his distinctive t...
Why this score
Kuniyoshi icon acclaimed for spectacular scale, dynamic waves, heroic fantasy, and enormous contemporary popularity among Japanese print enthusiasts.
ui.x_scoring_methodologyNight View of Saruwaka Street is a woodblock print by Japanese ukiyo-e artist Utagawa Hiroshige, published in 1856. It is included in his celebrated series One Hundred Famous Views of Edo. The artwork depicts the Saruwaka-chō district in Edo, which was the city's primary location for kabuki theaters...
Why this score
Canonical nocturne admired for deep perspective, theatrical light, bold color, and exceptional portrayal of Edo's entertainment district.
ui.x_scoring_methodologyThunderstorm Beneath the Summit is a woodblock print by Katsushika Hokusai from the Thirty-Six Views of Mount Fuji series, produced in Japan during the 1830s. The composition shows Mount Fuji beneath a dark, sharply defined storm cloud, with lightning cutting through the surrounding sky. Its contras...
Why this score
One of Hokusai's most celebrated Fuji designs, praised for dramatic color, atmospheric contrast, and elemental power.
ui.x_scoring_methodology"The Drum Bridge and Yuhi Hill at Meguro" is a woodblock print created in 1857 by the Japanese ukiyo-e master Utagawa Hiroshige. It is part of his landmark series One Hundred Famous Views of Edo, which documented the changing landscapes and seasons of Japan's capital. The print captures Meguro's dis...
Why this score
Museum favorite acclaimed for monumental bridge framing, snowy stillness, and sophisticated depth; a defining late Hiroshige composition.
ui.x_scoring_methodologyPlum Estate, Kameido is an ukiyo-e woodblock print by Utagawa Hiroshige, issued in 1857 as number 30 in the series One Hundred Famous Views of Edo. The composition uses a close view of a flowering plum tree, with a large curving branch and trunk crossing the foreground while people and the surroundi...
Why this score
Famous close-up composition admired for radical framing, seasonal color, and major influence on European modernism.
ui.x_scoring_methodologyCreated by Utagawa Hiroshige in 1857 for the series One Hundred Famous Views of Edo, this ukiyo-e print depicts a sudden rainstorm over the Shin-Ohashi Bridge and the Atake district. Figures on the bridge hurry beneath umbrellas or carry coverings as wind-driven rain cuts across the scene. The compo...
Why this score
Internationally canonical masterpiece; celebrated rain effects, daring diagonals, cropping, and documented influence on Van Gogh.
ui.x_scoring_methodologyShono: Sudden Rain is a design by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, a series depicting places along the major route between Edo and Kyoto. The image shows travelers and porters struggling through a heavy downpour near the station of Shono, with slanting rain and bent fi...
Why this score
Canonical weather masterpiece acclaimed for slashing rain, urgent diagonals, dramatic movement, and profound influence.
ui.x_scoring_methodologyRainstorm Beneath the Summit is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, made around 1830 as part of Thirty-six Views of Mount Fuji. The composition shows Mount Fuji beneath a dark, angular storm cloud while diagonal bands of rain cut across the surrounding landscape. Its subject...
Why this score
Highly acclaimed Fuji design; radical weather, abstraction, and dramatic contrast secure masterpiece status.
ui.x_scoring_methodologySouth Wind, Clear Sky, commonly called Red Fuji, is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, published around 1831 in the series Thirty-six Views of Mount Fuji. It presents Mount Fuji in warm red and orange tones beneath a clear blue sky, with a dark band of vegetation at the base...
Why this score
Iconic Hokusai landscape; celebrated color, monumental simplicity, and enduring status just below The Great Wave.
ui.x_scoring_methodologyThis woodblock print by Tsukioka Yoshitoshi belongs to One Hundred Aspects of the Moon, a series issued between 1885 and 1892. It depicts Fujiwara no Yasumasa, a Heian-period courtier, playing the flute outdoors under moonlight. The subject combines a historical or literary figure with the series' r...
Why this score
Yoshitoshi masterpiece acclaimed for suspense, moonlit stillness, exquisite patterning, and psychological narrative.
ui.x_scoring_methodologyKajikazawa in Kai Province is an ukiyo-e landscape print by Katsushika Hokusai, made around 1830 as part of Thirty-six Views of Mount Fuji. It depicts a fisherman casting a net from a rocky position beside a river, with Mount Fuji visible in the distance. The composition links the human figure, the...
Why this score
One of Hokusai's finest landscapes; celebrated for taut geometry, human concentration, and powerful wave forms.
ui.x_scoring_methodology"Kanbara: Snowy Night" is a color woodblock print by the Japanese ukiyo-e artist Utagawa Hiroshige. It belongs to his famous series *The Fifty-Three Stations of the Tokaido*, published in the 1830s, which documents the journey along the vital coastal road connecting Edo to Kyoto. The design illustra...
Why this score
Acclaimed snowy Kanbara variant with exceptional nocturnal mood and graphic restraint, but less securely canonical than the famous evening composition.
ui.x_scoring_methodologyMoon Pine, Ueno is a color woodblock print by the Japanese ukiyo-e artist Utagawa Hiroshige, published in 1857. It is part of Hiroshige's series One Hundred Famous Views of Edo, which depicts scenic locations across the Japanese capital. The composition uses the circular branch of a celebrated pine...
Why this score
Major One Hundred Famous Views design, acclaimed for radical foreground framing, elegant moon imagery, and influential compositional daring.
ui.x_scoring_methodologyThe Dream of the Fisherman's Wife is a famous shunga woodblock print created by Japanese artist Katsushika Hokusai. Published in 1814 within the three-volume book Kinoe no Komatsu, the explicit design depicts a female shell diver engaged intimately with two octopuses. The intricate artwork is notabl...
Why this score
Historically famous shunga design, acclaimed for audacious composition, erotic imagination, and cultural influence, while explicit content limits universal reception.
ui.x_scoring_methodology"The Sea at Satta in Suruga Province" is an Edo-period ukiyo-e woodblock print by the Japanese artist Utagawa Hiroshige. Published in 1858, it belongs to his series "Thirty-six Views of Mount Fuji." The composition features a dramatic perspective looking through turbulent coastal waves and steep, ja...
Why this score
Major Hiroshige seascape praised for vertiginous composition, powerful waves, and luminous distance; frequently reproduced and institutionally acclaimed.
ui.x_scoring_methodologyNichiren in Exile on Sado Island is a ukiyo-e color woodblock print by the Japanese artist Utagawa Kuniyoshi. The composition depicts the 13th-century Buddhist reformer Nichiren confronting stormy seas during his exile to Sado Island in 1271. This event was a pivotal moment in Nichiren's life and is...
Why this score
Major Kuniyoshi triptych praised for spiritual drama, storm effects, and commanding figure design; firmly established in museum collections.
ui.x_scoring_methodologyWoman Wiping Sweat is a ukiyo-e woodblock print created around 1793 by the Japanese artist Kitagawa Utamaro. The portrait belongs to his acclaimed series Ten Physiognomies of Women, which explored the subtle expressions of female subjects from various social classes. Utamaro distinguishes the work t...
Why this score
Canonical Utamaro portrait admired for intimate observation, sensual realism, and psychologically immediate gesture; an important departure from idealized beauty.
ui.x_scoring_methodology"The Ghost of Kohada Koheiji" is a woodblock print by the Japanese ukiyo-e artist Katsushika Hokusai, published around 1831 or 1832. It portrays the vengeful spirit of Koheiji, a murdered man, as a skeletal apparition peering over the edge of a mosquito net. The design comes from Edo-period urban le...
Why this score
Famous supernatural portrait acclaimed for psychological horror, radical cropping, and technical originality; unsettling subject matter narrows popular appeal.
ui.x_scoring_methodologyBamboo Yards, Kyobashi Bridge is a color woodblock print by the Japanese ukiyo-e artist Utagawa Hiroshige, published in 1857 as part of his series One Hundred Famous Views of Edo. The print illustrates towering bamboo poles stacked beside the bridge, capturing the nocturnal atmosphere of a major com...
Why this score
Acclaimed urban landscape featuring dramatic bamboo scaffolding, strong vertical rhythm, and atmospheric distance; distinctive within the Edo series.
ui.x_scoring_methodology"Kidomaru under the Rashomon Gate" is a color woodblock print by the Japanese ukiyo-e artist Utagawa Kuniyoshi. Created during the late Edo period, the artwork depicts the legendary outlaw Kidomaru concealed beneath the carcass of a slain ox. He is shown waiting in ambush for the warrior Minamoto no...
Why this score
Celebrated supernatural warrior print with theatrical tension, inventive concealment, and technical richness, though less universally recognized than the whale image.
ui.x_scoring_methodologyUtagawa Hiroshige's "Mishima: Morning Mist" is a color woodblock print from his celebrated series "The Fifty-three Stations of the Tokaido," first published around 1833–1834. The composition depicts travelers and horses on the Tokaido road as they emerge from a thick morning mist at the Mishima post...
Why this score
Highly celebrated Tokaido design, admired for misty atmosphere, bold silhouettes, and economical evocation of early morning travel.
ui.x_scoring_methodology"Lovers in an Upstairs Room" is a woodblock print by the Japanese ukiyo-e artist Kitagawa Utamaro, created around 1788 during the Edo period. The artwork is a shunga print extracted from "Utamakura" (Poem of the Pillow), one of Utamaro's most recognized erotic illustrated albums. This intimate scene...
Why this score
Highly regarded shunga composition praised for intimacy, elegant line, and spatial suggestion, while explicit subject matter restricts broad reception.
ui.x_scoring_methodology"Naruto Rapids in Awa Province" is a 19th-century ukiyo-e woodblock print by the Japanese artist Utagawa Hiroshige, published in 1853 as part of his series "Famous Places in the Sixty-odd Provinces." The landscape print captures the Naruto Strait, a channel between Shikoku and Awaji Island known for...
Why this score
Highly admired for dynamic currents, bold diagonals, and maritime spectacle, though title overlap and variant impressions complicate its singular reputation.
ui.x_scoring_methodologyMishima: Dawn is an ukiyo-e landscape print by Utagawa Hiroshige from the 53 Stations of the Tokaido, published in the 1830s. It depicts travelers setting out from Mishima in the early morning, with figures and a packhorse moving through a cool, mist-filled scene. The composition uses the station ga...
Why this score
Widely acclaimed for mist, silhouettes, tonal restraint, and one of Hiroshige's most poetic dawn atmospheres.
ui.x_scoring_methodologyThe Ghost of Oiwa is a woodblock print by Tsukioka Yoshitoshi from One Hundred Aspects of the Moon, a series issued between 1885 and 1892. It draws on Yotsuya Kaidan, the Japanese ghost story centered on Oiwa, whose death and betrayal lead to her return as a vengeful spirit. The print connects late...
Why this score
Famous ghost subject rendered with Yoshitoshi's theatrical restraint, eerie atmosphere, and influential psychological horror.
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Frequently Asked Questions
What leads the Ukiyo E ranking?
Katsushika Hokusai, Under the Wave off Kanagawa currently leads the Ukiyo E results with a displayed score of 9.85/10. This is an editorial ranking result for the items included on this page, not a universal verdict for every use case.
How should I read the score and confidence label?
The 0 to 10 score is Lunoo's ranking judgment. Strong confidence means 10 or more recorded comparison checks, some means 2 to 9, and provisional means fewer than 2.
What supports this ranking?
Lunoo combines category fit, feature coverage, pricing and value signals, public reception, recency, and peer comparisons. Public source links support factual item details when available, but they are not required for membership in this 112-item ranking.
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