description Reger Violin Sonata No. 9 in C minor, Op. 139 Overview
Max Reger's Violin Sonata No. 9 in C minor, Op. 139 is a work for violin and piano composed in 1915 and the last of his numbered sonatas for that combination. It presents Reger's late style in a concentrated chamber form, drawing on chromatic harmony, contrapuntal writing, and established German sonata traditions.
The work is intended for advanced performers and listeners interested in the transition from late Romanticism to early twentieth-century modernism.
help Reger Violin Sonata No. 9 in C minor, Op. 139 FAQ
Why is Reger's Op. 139 called his last violin sonata?
The Sonata No. 9 in C minor, Op. 139 was composed in 1915 and is the last of Max Reger's numbered sonatas for violin and piano. Reger died in 1916, making it part of his final creative period.
What does Reger's late style sound like in Op. 139?
The sonata uses chromatic harmony and contrapuntal interplay but is more concentrated than some of Reger's earlier large-scale works. Its texture still demands that listeners follow several independent lines at once.
Is the piano part in Reger's Ninth Sonata especially demanding?
Yes. The piano carries dense chords, inner voices, and contrapuntal material rather than simply supporting the violin.
What earlier composer most strongly influences Reger's Op. 139?
Johann Sebastian Bach is a central influence on Reger's counterpoint and voice-leading, while the chromatic language also grows from the 19th-century German tradition. The result combines Baroque discipline with late-Romantic harmony.
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