Top Results for Reger
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Fantasia and Fugue on BACH Op. 46 is an organ work composed by Max Reger in 1900, based on the musical motif using the notes B-flat, A, C, B-natural (which in German musical notation spells B-A-C-H). This large-scale composition exemplifies Reger's complex late-Romantic harmonic language and virtuos...
Why this score
Major Reger organ work, admired for virtuosity and chromatic density, though heaviness divides listeners.
ui.x_scoring_methodologyViolin Sonata No. 7 in A major, Op. 103b No. 2 is a chamber work by German composer Max Reger for violin and piano. It forms part of his two-sonata Op. 103b set and is paired with the preceding sonata in D minor. The music belongs to Reger's late-Romantic style, combining contrapuntal writing with t...
Why this score
The more lyrical Opus 103b sonata balances Reger's density with warmth, earning specialist admiration but little mainstream exposure.
ui.x_scoring_methodologyMax Reger's Violin Sonata No. 6 in D minor, Op. 103b No. 1, is a work for violin and piano composed in 1907. It forms one half of a two-sonata set published under Opus 103b and reflects Reger's late-Romantic harmonic language. The music is characterized by chromatic writing, dense textures, and an i...
Why this score
Compact late Reger combines contrapuntal mastery with improved clarity, though it remains austere and rarely performed.
ui.x_scoring_methodologyMax Reger's Solo Violin Sonata No. 1 in A minor, Op. 91 No. 1, was published as part of a set of unaccompanied violin sonatas from the early twentieth century. Its contrapuntal writing continues the German solo-violin tradition associated with J. S. Bach while employing Reger's dense chromatic harmo...
Max Reger's Violin Sonata No. 9 in C minor, Op. 139 is a work for violin and piano composed in 1915 and the last of his numbered sonatas for that combination. It presents Reger's late style in a concentrated chamber form, drawing on chromatic harmony, contrapuntal writing, and established German son...
The Sonata No. 2 in D minor for solo violin, Op. 91 No. 2, is a composition by German late-Romantic composer Max Reger, written in 1905. It belongs to a set of three unaccompanied violin sonatas that demonstrate Reger's deep admiration for the polyphonic style of Johann Sebastian Bach. The work is n...
Max Reger's Violin Sonata No. 6 in D minor, Op. 103b No. 1 is a work for violin and piano composed in 1908. It combines the sonata tradition with Reger's characteristic chromatic harmony, contrapuntal detail, and dense interaction between the two instruments. Written for advanced chamber musicians,...
Max Reger's Solo Violin Sonata No. 3 in B minor, Op. 91 No. 3, composed in 1905, is a demanding work for unaccompanied violin. As the final piece in a trilogy of sonatas dedicated to the virtuoso violinist Henri Marteau, it completes a collection directly inspired by Johann Sebastian Bach's unaccomp...
Max Reger's Solo Violin Sonata in A minor, Op. 91 No. 1, composed in 1906, is part of a set of three sonatas dedicated to the German violinist Henri Marteau. The work clearly reflects Reger's admiration for Johann Sebastian Bach's solo violin compositions, particularly in its use of polyphonic techn...
Why this score
Impressive Bach-inspired polyphony and formidable technique command specialist respect, though harmonic density can feel laborious and academic.
ui.x_scoring_methodologyMax Reger's Violin Sonata in F-sharp minor, Op. 84, is a three-movement work for violin and piano completed in 1904. Dedicated to the Swedish violinist Henri Marteau, the sonata is a product of Reger's mature period and demonstrates his dense, late-Romantic compositional language. The piece features...
Why this score
Mature structural command and serious expression earn critical respect, while chromatic heaviness and scarce performances inhibit wider enthusiasm.
ui.x_scoring_methodologyThe Violin Sonata in D major, Op. 84, is a late-Romantic chamber work for violin and piano composed by German composer Max Reger between 1903 and 1904. The piece is notable for its dense, contrapuntal writing and expansive harmonic language, heavily influenced by the compositional style of Johannes...
Max Reger's Violin Sonata in C major, Op. 72, is a work for violin and piano composed in 1903 and commonly identified as his fourth violin sonata. It belongs to Reger's substantial body of chamber music and uses a late-Romantic harmonic language shaped by dense counterpoint and close interaction bet...
Why this score
Clearer textures and disciplined construction improve accessibility over earlier Reger, though specialist admiration exceeds its limited general reputation.
ui.x_scoring_methodologyMax Reger’s Violin Sonata No. 9 in C minor, Op. 139, is a chamber work for violin and piano and the last of his numbered sonatas for that combination. Composed near the end of Reger’s life, it belongs to his late body of music and reflects his dense harmonic language, contrapuntal writing, and close...
Max Reger's Violin Sonata No. 5 in F-sharp minor, Op. 84 is a work for violin and piano composed in 1905. Dedicated to violinist Henri Marteau, it was first performed by Marteau and Reger in Leipzig on 7 March 1905. The sonata belongs to Reger's dense late-Romantic chamber output, combining contrapu...
Max Reger's Violin Sonata No. 8 in E minor, Op. 122, composed in 1911, is a late work by the German composer for violin and piano. Reger, known for his dense chromatic harmony and admiration for the music of Johannes Brahms, wrote prolifically in chamber and organ genres. This sonata, premiered in O...
Max Reger's Violin Sonata No. 3 in A major, Op. 41, is a four-movement work for violin and piano from 1899. Its score uses the expansive forms, chromatic harmony, and contrapuntal writing associated with Reger's German late-Romantic style, while the intermezzo provides a sharply contrasting middle m...
Max Reger's Violin Sonata No. 5 in F-sharp minor, Op. 84, is a work for violin and piano completed in 1904. Its late-Romantic language is characterized by dense harmonic writing, contrapuntal detail, and an extensive piano part that shares substantial musical responsibility with the violin. The sona...
Violin Sonata No. 6 in D minor, Op. 103b No. 1, is a chamber work by the German composer Max Reger for violin and piano. It is also identified as a Kleine Sonate and belongs to Reger's late instrumental output, in which contrapuntal writing and dense harmonic movement are combined within concise for...
Max Reger's Violin Sonata No. 4 in C major, Op. 72, is a work for violin and piano composed in 1904. It belongs to Reger's German late-Romantic chamber music and is known for a highly structured, demanding musical style; Reger himself described it as one of his most difficult works for the two instr...
Max Reger's Violin Sonata No. 7 in A major, Op. 103b No. 2, is a sonata for violin and piano also identified as the Kleine Sonate. Reger composed it in 1909 as a Hausmusik work and dedicated it to Robert Bignell. It is relevant to performers and listeners interested in Reger's late-Romantic chamber...
Max Reger's Violin Sonata No. 7 in A major, Op. 103b/2, is a German chamber work for violin and piano dated to 1909. It forms a pair with the Violin Sonata No. 6 in D minor, Op. 103b/1, and belongs to Reger's mature period of composition. The piece is intended for listeners and performers interested...
Max Reger's Violin Sonata No. 6 in D minor, Op. 103b/1, is a German chamber work for violin and piano dated to 1909. It is paired with the A major Violin Sonata No. 7 under the shared opus designation 103b. The sonata is relevant to performers, students, and listeners exploring Reger's mature violin...
Reger's Violin Sonata No. 3 in A major, Op. 41, is a chamber work for violin and piano composed by Max Reger in 1899. It belongs to the late-Romantic German violin-sonata tradition and is characterized by closely worked musical lines, chromatic harmony, and substantial contrapuntal writing. The sona...
Max Reger's Violin Sonata number 2 in D major, opus 3 is a four-movement work for violin and piano, composed in 1891 and first published in 1893. Its movements are Allegro non tanto, Scherzoso (Allegretto grazioso), Adagio, and Finale (Allegro, quasi andantino), and a performance lasts about 25 to 2...
Max Reger's Violin Sonata No. 1 in D minor, Op. 1 is a chamber composition for violin and piano by the German composer Max Reger. The work carries the first opus number in his published catalog, although it represents an early stage of his musical development. Its minor-key designation and two-instr...
Violin Sonata No. 2 in D major, Op. 3 is an early chamber work by German composer Max Reger, written for violin and piano. It belongs to Reger's formative period and reflects the late-Romantic sonata tradition through its tightly worked themes, chromatic harmony, and substantial piano writing. The p...
Violin Sonata No. 1 in D minor, Op. 1 is an early chamber work by German composer Max Reger for violin and piano. It was published in 1891 and reflects Reger's engagement with the German Romantic tradition of absolute music, in which instrumental form is not tied to a stated narrative. The sonata al...
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Fantasia and Fugue on BACH Op. 46 (Reger) currently leads the Reger results with a displayed score of 8.52/10. This is an editorial ranking result for the items included on this page, not a universal verdict for every use case.
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