Top Results for Raphael

The Transfiguration is an altarpiece begun by Raphael around 1516 and left unfinished at his death in 1520, with parts completed by members of his workshop, probably including Giulio Romano. Its upper register shows the radiant Christ with Moses and Elijah, while the lower register depicts the apost...

Raphael’s Triumph of Galatea is a Renaissance fresco created circa 1511-1512. It depicts the mythological scene of Galatea riding a shell chariot, executed using the *buon fresco* technique. Located in the Villa Farnesina in Rome, it's notable for its dynamic composition and idealized representation...

Raphael’s “Disputation of the Holy Sacrament” (1509-1510) is a significant Renaissance fresco within the Vatican’s Stanza della Segnatura. The artwork depicts a complex theological debate surrounding the Eucharist featuring prominent figures like Peter, Paul, and Augustine. It showcases Raphael's ma...

Raphael’s School of Athens is a fresco completed between 1509 and 1511 within the Vatican's Stanza della Segnatura. This artwork portrays ancient Greek philosophers, notably Plato and Aristotle, representing core figures in Western thought. It exemplifies Renaissance humanism through its depiction o...

Raphael’s fresco, “The Expulsion of Heliodorus from the Temple,” painted circa 1511-1512, depicts a biblical scene from the Old Testament. The Buon Fresco technique creates its enduring vibrancy. This artwork, located in Rome's Stanza di Eliodoro, is notable for its detailed representation of the ev...

The Raphael 8404 is a pointed round brush made from Kolinsky sable hair by the French manufacturer Raphael, a company founded in Paris in 1793. It features a seamless nickel-plated brass ferrule mounted on a black lacquered handle. The brush is designed for professional watercolorists, illustrators,...

The ceiling of the Stanza dell'Eliodoro forms part of the Raphael Rooms in the Vatican Palace, decorated during Raphael's work there in the early 16th century. Its central compositions depict biblical scenes, while the room's walls carry large narratives such as The Expulsion of Heliodorus from the...

The Mass at Bolsena (c. 1512–1514) by Raphael in the Vatican's Stanza di Eliodoro commemorates the 1263 Eucharistic miracle at Bolsena, Italy, and includes a portrait of Pope Julius II as a witness to the event.

Portrait of Pope Julius II is an oil portrait painted by Raphael around 1511 to 1512 and known through an original version in the National Gallery, London, as well as workshop versions and copies. Julius appears seated in three-quarter view, wearing papal garments and holding a handkerchief, with hi...

Raphael's Parnassus (1510–1511), on the window wall of the Stanza della Segnatura in the Vatican, depicts Apollo, the nine Muses, and celebrated ancient and Renaissance poets including Homer and Dante on Mount Parnassus.

The Meeting of Leo I and Attila (c. 1513–1514) by Raphael in the Vatican's Stanza di Eliodoro depicts Pope Leo I turning back Attila the Hun in 452 CE and was completed partly by Raphael's workshop after Julius II's death.

Raphael painted the Madonna of the Goldfinch around 1506 during his Florentine period; the work is now in the Uffizi Gallery. It depicts the Virgin seated in a landscape as the young Saint John offers a goldfinch to the Christ Child, forming a calm pyramidal group. Because the bird was associated wi...

The Sistine Madonna is an altarpiece painted by Raphael around 1512 for the church of San Sisto in Piacenza and now held by the Gemäldegalerie Alte Meister in Dresden. It presents the Virgin and Child advancing through clouds, flanked by Saint Sixtus and Saint Barbara. The two winged cherubs leaning...

Raphael's Sposalizio, or The Marriage of the Virgin, is an oil painting on panel dated 1504 and now held by the Pinacoteca di Brera in Milan. It depicts the marriage of Mary and Joseph before a centrally placed priest, with a polygonal temple organizing the deep, symmetrical background. Created earl...

The Foligno Madonna is a large votive altarpiece painted by Raphael around 1511-1512 for Sigismondo de' Conti, a papal official and humanist. The Virgin and Child appear within a radiant celestial glory above Saints John the Baptist, Francis, and Jerome, while the kneeling donor is presented by Jero...

The Loggia of Psyche (1517–1518) in the Villa Farnesina, Rome, was designed by Raphael and executed largely by his workshop, depicting scenes from Apuleius's myth of Cupid and Psyche across the vaulted ceiling.

The Baglioni Entombment is an altarpiece painted by Raphael in 1507 for Atalanta Baglioni and intended for the Baglioni family chapel in the church of San Francesco al Prato in Perugia. Its main panel shows Christ's body being carried toward the tomb as mourners react through forceful gestures and m...

The Descent from the Cross is a chiaroscuro woodcut by the Italian printmaker Ugo da Carpi, who was active in the early sixteenth century. The composition is based on a design by Raphael. Da Carpi was among the first printmakers in Italy to adopt the chiaroscuro woodcut technique, which uses multipl...

Madonna of the Fish is an oil-on-panel painting by Raphael, generally dated to about 1513 to 1514 and now held by the Museo del Prado in Madrid. It depicts the Virgin and Child enthroned between Saint Jerome and the Archangel Raphael, who presents the young Tobias. The work takes its customary name...

The Alba Madonna is a circular painting, or tondo, created by Raphael around 1510 during the Italian Renaissance. It depicts the Virgin Mary seated in a landscape with the infant Christ and the young Saint John the Baptist, whose cross is examined by the children. Painted in oil on panel and later t...

Raphael's Entombment of Christ (1507) is an ambitious early altarpiece depicting the body of Christ being carried to the tomb, commissioned for the Baglioni family in Perugia and now in the Galleria Borghese, Rome.

La Fornarina is a portrait by the Italian Renaissance artist Raphael, generally dated to around 1518 to 1520. It depicts a semi-nude woman wearing a turban, jewelry, and an armband bearing Raphael's name, with her hands arranged across her breast and lap. The sitter has traditionally been identified...

The Mond Crucifixion is an early altarpiece by Raphael, generally dated to about 1502 or 1503 and now held by the National Gallery in London. Painted for a chapel in the church of San Domenico in Città di Castello, it shows Christ on the cross with the Virgin, Saint John, Saint Jerome, and Mary Magd...

The Oddi Altarpiece, also called the Coronation of the Virgin, is an early altarpiece by Raphael, generally dated to about 1502 to 1504. Commissioned for the Oddi family chapel in the church of San Francesco al Prato in Perugia, it combines the apostles gathered around the Virgin's flower-filled tom...

The Madonna dell'Impannata is an oil painting associated with Raphael and his workshop, dating from the early sixteenth century and preserved in the Palazzo Pitti in Florence. It depicts the Virgin and Christ Child within a group that includes the young John the Baptist, Saint Elizabeth, and Saint C...

The Colonna Altarpiece is an early altarpiece by Raphael, made around 1504 to 1505 for a Franciscan convent in Perugia. Its central panel depicts the enthroned Madonna and Child with saints and shows Raphael working within the devotional traditions of Umbrian Renaissance painting. The ensemble was l...